Fine art prints and posters of Fra Angelico

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Abbondanza
Pietro Adamo
Fra Angelico
Mariapia Angelini
Egidio Antonaccio
Gino Boccasile
Carlo Borlenghi
Sandro Botticelli
Michelangelo Buonarroti
Giovanni Canaletto
Leonetto Cappiello
Michelangelo Caravaggio
Leonardo Da Vinci
Mario De Biasi
Antonio Di Viccaro
Marcello Dudovich
Giuliana Lazzerini
Maria Luffarelli
David Magnotto
Maurizio Marcato
Achille Mauzan
Amedeo Modigliani
Gio Mondelli
Giorgio Morandi
Libero Patrignani
Giovanni Battista Piranesi
Dante Gabriel Rossetti
Raphael - Raffaello Sanzio
Steve Stento
Niro Vasali
Jack Vettriano

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Beato (Fra Giovanni da Fiesole) Angelico
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The Annunciation, circa 1438-45
Fra Angelico
24x18 Giclee Print
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Detail of Heaven from the...
Fra Angelico
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Madonna and Child Triptych
Fra Angelico
36x24 Fine Art Print
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The Adoration of the Magi...
Fra Angelico
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Adoration of an Angel
Fra Angelico
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Musical Angels with Violin
Fra Angelico
7x14 Fine A...
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St. Peter Martyr Asking for Silence
Fra Angelico
24x18 Giclee Print
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Angel Holding a Trumpet, ...
Fra Angelico
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Noli Me Tangere, 1442
Fra Angelico
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Santa Trinita Altarpiece,...
Fra Angelico
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Angel with a Violin
Fra Angelico
18x24 Gicl...
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Group of Musical Angels
Fra Angelico
14x14 Fine Art Print
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The Madonna Delle Ombre, ...
Fra Angelico
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The Last Judgement, Centr...
Fra Angelico
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Coronation of the Virgin Detail of St...
Fra Angelico
24x18 Giclee Print
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Adam and Eve Expelled fro...
Fra Angelico
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Christ Rising from Tomb, Detail of th...
Fra Angelico
24x18 Giclee Print
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Christ Glorified in the Court of Heav...
Fra Angelico
24x18 Giclee Print
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The Last Judgement, Detai...
Fra Angelico
18x24 Gicl...
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Coronation of the Virgin,...
Fra Angelico
18x24 Gicl...
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Visitation, from the Predella of the ...
Fra Angelico
24x18 Giclee Print
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Christ Glorified in the C...
Fra Angelico
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The Nativity
Fra Angelico
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Angel with Trumpet
Fra Angelico
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Beato (Fra Giovanni da Fiesole) Angelico
Birth Year : 1400
Death Year : 1455
Country : Italy
Fra Giovanni da Fiesole (Fra Angelico), a Dominican friar, was perhaps the most important painter of Renaissance Florence. He was born Guido di Pietro in Mugello, Italy, and began the significant part of his career at the Dominican monastery at Fiesole. While his early panels of triptych altarpieces are indebted to traditional Sienese practice, he was already highly aware of the innovations of Florentine art. His "Annunciation" of about 1432-not to be confused with the later fresco-shows the development of an individual style, mixing an assertively Florentine sense of perspective with graceful proportion and restraint. Living largely in a state of withdrawal from the world, Angelico presided over a busy workshop in the Dominican Observant house at Fiesoli. His worldly fame and reputation meanwhile grew rapidly, partly because-in contrast perhaps to his devotional modesty-his works were strenuously adventurous and advanced, with daring degrees of compositional freedom. In the late 1430's, after the shop had moved to the S. Marco monastery in Florence, Angelico made great strides in the use of color, form, and perspective. Instead of showing saints, angels, and a Madonna on separate panels, the central panel of a 1438 altarpiece-commissioned by Cosimo del Medici-surrounds the Madonna with angels and saints, an approach that entered the vocabulary of Renaissance composition as sacra conversazione. In works of the early 1440's, a realistic and exciting sense of panoramic space pervades Angelico's pictures, as do delicate and subtle uses of color to express distance and variation in light. His best known and perhaps most thoroughly timeless work is from the series of frescoes he painted in S. Marco monastery, mainly in the early 1440's. Some of those frescoes-the "Annunciation", for example-were painted in the public spaces, as aids to group devotion; others were painted in private cells. In 1447, having been called to Rome, Angelico and his workshop assistants made a richer and even more ambitious set of frescoes for walls and ceilings in the private chapel of Pope Nicholas V. Having served as Prior of S. Domenico in Fiesole, Angelico returned to Rome, where he died.
 
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